
Welcome to SeatGeek Front Row, where music writers share their tips for attending the biggest concert tours around the country. For this edition, Seattle resident Olivia Petty went to Lucy Bedroque's "003 Tour" concert at The Showbox to see what the show was really like, including the setlist, merch options and more. Olivia is a freelance features and music writer in the greater Seattle area.
In the weird, wonderful world of underground rap, a handful of major players have managed to break through the internet’s many layers and enter the limelight. Riding the wave created by artists like Playboi Carti, Lil Uzi Vert and Trippie Redd, a new generation of rappers has arrived, pushing sonic boundaries and bringing their once-niche internet sounds to the stage.
One of those artists is Lucy Bedroque, the stage name of Jeremiah Jabulani Mark, an experimental rapper and producer whose music is unpredictable and addictive, scratching Gen Z’s incessant itch for hyperpop. Bedroque has been building a cult following in internet rap circles for years, and now — at only 20 years old — they are embarking on their third headlining tour, which kicked off in early November and spans across the United States through December.
On November 9, Bedroque stopped over at The Showbox in downtown Seattle for an explosive, high-octane performance, which was — to put it succinctly— worth the hype. Here’s what went down, and everything fans should know before heading to a Lucy Bedroque show.

Trying to box Lucy Bedroque’s music into a single genre is an exercise in futility. Drawing from rage rap, electronic digicore, emo and catchy hyperpop — think Charli XCX’s “Speed Drive” turned up tenfold — their sound is a little bit of everything, and then some. The percussion is frantic and heavy, the melodies are unconventional, and the production is unapologetically maximalist. Beneath the chaos, Bedroque’s flow and catchy hooks will worm their way into your head and refuse to leave.
Ultimately, Bedroque is a product of the internet, where musical influences are infinite and genre boundaries are diluted. That results in a sound that has helped Bedroque build a devoted following who grew up discovering music via online communities — and will surely only continue to grow and expand. Their 2025 mixtape, Unmusique, established Bedroque as a particularly exciting figure in the underground, and their most recent album C has kept that momentum going. They embody an edgy, distinctively high-fashion persona, and challenge some gender norms that have historically been associated with rap and hip hop. Their sold-out Seattle show was evidence that their music has resonated profoundly with a generation.
In Seattle at The Showbox, doors opened at 7 p.m., with the opener beginning at 8 p.m. and Lucy Bedroque coming onstage at 9 p.m. sharp. Their set ended at 10:34, including the encore, for a total of 24 songs over 94 minutes.

Japanese idol group pinponpanpon joined Bedroque in Seattle, kicking off the night with a burst of colorful energy. Combining Japanese and English lyrics, their music is a mixture of J-pop, hip hop and hyperpop, and though their outfits may look cutesy, they are an absolute force to be reckoned with. Their 30-minute Seattle set was packed with sharp, tightly delivered flows over speedy beats, along with powerful vocals and an added layer of choreography. They brought an impressive amount of energy to the stage, getting the audience's hearts pumping and feet jumping. Be sure to arrive on time in order to catch their set.

Bedroque’s setlist was a generous mix of material from both C and Unmusique, delivering an incendiary performance with a thunderous bass that vibrated the floor of The Showbox. They emerged in a shroud of fog, machines hissing on either side of the stage, and remained silhouetted for much of the performance, only coming into full view when they teetered towards the front of the stage. They clutched the microphone tight, their sharp rap masked in deliberate layers of autotune.
Highlights of the evening included “SPEED DEMON,” arguably one of the defining tracks from C, where Bedroque delivered rapid-fire lyrics and the audience chanted along to each and every word, jumping and dancing in rhythm. Then there was “2010 Justin Bieber,” a standout from Unmusique that demonstrates the sheer extent and variability of Bedroque’s influences. Though most of the night was high-volume and high-speed, they occasionally slowed things down, weaving in more emotional songs like “PEACE IN PANDEMONIUM” and “STONE IN FOCUS.”
The audience, made up predominantly of Gen Zers, was on the same energy wavelength as Bedroque, though it was sometimes hard to catch a glimpse of the rapper through the sea of smartphone cameras being trained on the stage the entire night. Regardless, numerous dance circles and mosh pits split up the crowd, allowing fans to (safely) let loose.
Their devotion to Bedroque was unwavering, as when the end finally came near and the artist ducked offstage, chants of “one more song!” turned into “ten more songs!” as they begged for an encore. Thankfully, Bedroque met them in the middle, coming back onstage for an encore set of three back-to-back hits.
Here’s Lucy Bedroque’s full Seattle setlist:
ALL SPEAKERS GO TO HEAVEN
MISS BEHAVIOR
OROCHIMARU
MARRIED TO MY JEWELER
BLACKPINK YZY
SPEED DEMON
THE 9TH CIRCLE
B.Y.O.B.
Fenty Face
C SECTION
CO POISON
G6 Anthem
STONE IN FOCUS
ZYGOTE
Made In Italy
2010 Justin Bieber
Yes, You May
SAFESPACE
I KNOW (MY INFLUENCE)
Mimosa
PEACE IN PANDEMONIUM
Encore
SSJ2
ERASE YOUR SOCIAL
Ouija

The Showbox is a relatively intimate venue, but Bedroque made excellent use of the entire stage for their performance. During pinponpanpon’s set, several shadowy, cloaked silhouettes could be seen onstage, appearing as mysterious lurking figures. However, during the 30-minute set changeover, stagehands gradually began to reveal these figures to be ghostly white animatronics with darkened eyes, some dressed in ornate bridal gowns, veils and parasols. They were spooky but striking, entirely on par with Bedroque’s brand.
The animatronics remained relatively motionless throughout the majority of Bedroque’s performance, creating an eerie backdrop as Bedroque wove between them while rapping and singing. The figures’ eyes occasionally illuminated with light, in sync with the rapid-fire strobes lighting up the stage, while an endless supply of fog gave the entire production a wonderfully unsettling atmosphere.
During the encore, the animatronics finally showed signs of (not really) life, as their heads began to turn in time with the music casting their ghastly gazes around the room. It caught the audience off guard, ending the evening with a memorable flourish.
One important note: the lighting at this show was intense. The strobes moved at an exceptionally fast pace, so anyone with light sensitivity or a medical condition that can be triggered by flashing lights should proceed with caution.

If you’re planning an outfit for Lucy Bedroque, consider this your chance to get a little creative. Plenty of fans came dressed casually, but others clearly took inspiration from Bedroque’s fashion-forward persona and treated the evening as an opportunity to go all out. Furs, sequins, Y2K-inspired denim, chunky silver jewelry, heavy/dramatic makeup and statement accessories peppered the crowd. A few fans even arrived dressed as ghoulish brides, apparently taking direct inspiration from the eerie animatronics onstage. The overall aesthetic was eclectic and edgy.
As for merch, there were two tables to stop by in the lobby; Lucy Bedroque’s was closer to the stage, and pinponpanpon’s was closer to the front doors. Bedroque’s selection included a t-shirt ($45), a polo tee ($75), a printed bandana ($25), and a hoodie ($90). pinponpanpon’s merch table included two styles of t-shirt ($50 to $60), as well as socks ($35) and paid photo ops. The merch lines moved quickly before, during and after the show, with queues under 10 minutes.


Although the majority of the audience were under 21, Lucy Bedroque’s shows are not family-friendly. Their lyrics contain regular expletives, and the atmosphere of the show is certainly tailored more towards older teenagers and adults.

The Showbox in downtown Seattle across from Pike Place (not the location in SoDo) only offers General Admission tickets, though 21+ VIP upgrades are sometimes available. VIP perks include reserved seating, dedicated service and quick access/entry into the venue. Doors to the Showbox opened at 7 p.m., and the line stretched down the block and around the corner ending in front of Target.
After the doors opened, the security line moved in waves that took about 15 to 20 minutes to get through. Fans were required to go through metal detectors and follow a clear bag policy, or have their small bags searched. Those without a bag got in faster in a separate security line. Inside the venue, fans could check their bags and coats at the front counter before entering the main auditorium.

The Showbox mainly offers General Admission standing room, with limited seating available on the outer rim of the auditorium in the designated 21+ section. Typically, if you want any chance of grabbing a non-reserved seat, your best bet is to arrive early. (Given that Lucy Bedroque’s crowd leaned on the younger side, there were still plenty of seating options in the 21+ area leading up to 8 p.m.) If you are not old enough to be in that area, or all seats are taken, put on some comfortable shoes and be ready to stand for a couple of hours. Reserved seating is available in certain sections with VIP upgrades, where members can purchase 2 or 4-top tables and receive direct food and drink service to their seats.
There are plenty of ways to get to the Showbox in downtown Seattle. First, make sure you aren’t accidentally mapping to Showbox SODO, which is located further south. The Showbox is located on 1st Avenue right across the street from Pike Place, and the best ways to get there are via public transit. Lines 1 and 2 on the Link light rail stop at Westlake and University Street Station, both of which are a short 5 to 7 minute walk from the venue. There are also plenty of King County Metro bus routes that stop within blocks of the venue, including the 62, the 70, and the D and E lines.
For those who need to drive, take the I-5 north or south and use the downtown exits near Union St or Stewart St, then head west toward 1st Ave. Be warned: the Showbox does not have its own parking lot, and parking can get tricky downtown depending on the day and time. Street parking is available but sparse, and there are several paid parking garages in and around Pike Place Market. There are also plenty of Lime bikes and scooters to utilize in the area.
If you’re ready to experience Lucy Bedroque’s “003 Tour” for yourself, you can get tickets by heading over to their artist page on SeatGeek. Once you've selected your preferred city and date, you can use the interactive seating map to compare available sections and find tickets that fit your budget. Once you’re happy with your selections, hit “Checkout” and tickets will be yours.
📁 Categories: Front Row, Concerts
🏷️ Tags: Lucy Bedroque, Seattle, The Showbox, 003 Tour

Olivia Petty is an award-winning features journalist based in Seattle. She has covered music, arts, entertainment, culture and hard news for The Seattle Times and The San Diego Union-Tribune, among others. She has a B.A. from Smith College, where she was Editor-in-Chief of The Sophian and an on-air DJ at WOZQ 91.9fm.