
There are plenty of reasons to get to a Jon Pardi show early, but sitting down once he takes the stage probably isn’t one of them.
Pardi’s “Gamblin’ Man Tour” is now underway, and the first few shows have given fans a pretty good idea of what’s waiting for them. There’s plenty of fiddle and steel guitar, a lot more pyro than you might expect and a closing run packed with some of his biggest songs.
The set also goes much deeper than Honkytonk Hollywood. Pardi is pulling heavily from California Sunrise as the album celebrates its 10th anniversary, along with songs from Heartache Medication, Mr. Saturday Night and earlier in his career.
The “Gamblin’ Man Tour” is Pardi’s 2026 fall headlining run, named after “Gamblin’ Man” from his fifth studio album, Honkytonk Hollywood.
The tour gives Pardi a full fall run after a busy year of new music, with 19 dates spread across arenas and amphitheaters before wrapping in Missouri in mid-November.
Fourteen shows remain on Pardi’s 2026 schedule, beginning Oct. 1 in Wilmington, North Carolina.
Date | City | Venue |
|---|---|---|
Thursday, Oct. 1, 2026 | Wilmington, NC | |
Friday, Oct. 2, 2026 | Macon, GA | |
Saturday, Oct. 3, 2026 | Biloxi, MS | |
Thursday, Oct. 8, 2026 | Loveland, CO | |
Friday, Oct. 9, 2026 | West Valley City, UT | |
Saturday, Oct. 10, 2026 | Nampa, ID | |
Friday, Oct. 23, 2026 | Tuscaloosa, AL | |
Saturday, Oct. 24, 2026 | Athens, GA | |
Thursday, Nov. 5, 2026 | Laredo, TX | |
Friday, Nov. 6, 2026 | Corpus Christi, TX | |
Saturday, Nov. 7, 2026 | Round Rock, TX | |
Thursday, Nov. 12, 2026 | Cedar Rapids, IA | |
Friday, Nov. 13, 2026 | Peoria, IL | |
Saturday, Nov. 14, 2026 | Independence, MO |
Sadie Bass and Alexandra Kay are joining Pardi on the standard “Gamblin’ Man Tour” dates.
Bass is a Michigan-born country singer-songwriter who gained national attention on The Voice in 2022 before building out a heavy touring schedule of her own. Her recent releases include “Dirt On Him,” “Talk Dirt To Me” and “Do Both.”
Kay is an Illinois native who first built a major following online through her covers of ’90s country songs before releasing original music and becoming a headliner herself. She released her debut album, All I’ve Ever Known, in 2023 and followed it with Second Wind.
Bass opens the night first, with Kay following in the direct-support slot before Pardi takes the stage. Atlantic City was the exception, as that show was billed as an “Evening With Jon Pardi” performance without either opener.
For a standard “Gamblin’ Man Tour” stop, fans should currently plan on Jon Pardi taking the stage around 9 p.m.
That timing has held at multiple early shows. Pardi was scheduled for 9:05 p.m. in Fort Wayne on Sept. 24 and again in Charleston on Sept. 26, with both shows starting at 7 p.m.
Atlantic City was different because the Sept. 18 show did not include the usual opening acts. Pardi took the stage at approximately 8:10 p.m. there and played until about 10 p.m.
So if your ticket lists a 7 p.m. start, do not expect Pardi himself at 7.
For a standard “Gamblin’ Man Tour” stop, Jon Pardi’s headlining set runs about 95 minutes.
That was the scheduled runtime in Charleston on Sept. 26, where Pardi was listed from 9:05 to 10:40 p.m., and it lines up with the timing from Fort Wayne earlier that week.
Other formats have varied, with the opener-free Atlantic City show lasting roughly one hour and 50 minutes.
The best full look we have at Pardi’s current set comes from his Sept. 18 Atlantic City show, where he played 24 songs and song segments.
Song | Album or source |
“Out of Style” | California Sunrise |
“Boots Off” | Honkytonk Hollywood |
“Tequila Little Time” | Heartache Medication |
“Cowboy Hat” | California Sunrise |
“Honkytonk Hollywood” | Honkytonk Hollywood |
“Up All Night” / “Three Little Birds” | Jon Pardi song / Bob Marley and the Wailers cover |
“How Did You Know” | California Sunrise (10th Anniversary Edition) |
“Somebody’s Doin’ Me Right” | Keith Whitley cover |
“Mr. Saturday Night” | Mr. Saturday Night |
“Your Heart or Mine” | Mr. Saturday Night |
“Ain’t Always the Cowboy” | Heartache Medication |
“Just Like Old Times” | Heartache Medication |
“Friday Night Heartbreaker” | Honkytonk Hollywood |
“Last Night Lonely” | Mr. Saturday Night |
“Can’t Turn You Down” | California Sunrise |
“She Ain’t in It” | California Sunrise |
“Starlight” | Heartache Medication |
“Beer Can’t Fix” | Thomas Rhett collaboration |
“Dirt on My Boots” | California Sunrise |
“Heartache Medication” | Heartache Medication |
“Night Shift” | California Sunrise |
“Gamblin’ Man” | Honkytonk Hollywood |
“Heartache on the Dance Floor” | California Sunrise |
“Head Over Boots” | California Sunrise |
Atlantic City was an “Evening With Jon Pardi” show, so standard tour stops may be a little shorter and the exact order can change. But the set gives a good sense of what Pardi is pulling from on this run: plenty of California Sunrise, a healthy dose of Heartache Medication and Mr. Saturday Night, plus a few newer Honkytonk Hollywood songs.
The new album gets its share of the spotlight without taking over the entire show.
At the Atlantic City stop, Pardi played “Boots Off,” “Honkytonk Hollywood,” “Friday Night Heartbreaker” and “Gamblin’ Man.” That still left most of the night open for older favorites from the rest of his catalog.
So if you are coming mainly for the new record, you will hear it. Just do not expect a full Honkytonk Hollywood showcase from start to finish.
Absolutely. Pardi is still giving longtime fans plenty of the songs that helped make him a headliner.
“Dirt on My Boots,” “Night Shift,” “Heartache on the Dance Floor” and “Head Over Boots” all showed up in Atlantic City, and California Sunrise had a major presence throughout the night.
He also went a little deeper than the obvious singles with songs like “Cowboy Hat,” “Can’t Turn You Down” and “She Ain’t in It,” so this is not just a greatest-hits set built around the biggest radio songs.
Yes, and Pardi mixes them into the set instead of saving them for one obvious cover-song moment.
“Up All Night” has flowed into part of Bob Marley and the Wailers’ “Three Little Birds,” while Keith Whitley’s “Somebody’s Doin’ Me Right” has also made the set.
He also performs “Beer Can’t Fix,” the Thomas Rhett song he originally appeared on, giving the night another familiar singalong outside his own catalog.
Pardi did play an encore at his Atlantic City show, saving several of the night’s biggest songs for the very end.
After “Heartache Medication,” he returned for “Night Shift,” “Gamblin’ Man,” “Heartache on the Dance Floor” and “Head Over Boots.”
Pardi is still keeping the band at the center of the show, but the production is much bigger than a simple country setup.
The fiddle, steel guitar and electric guitars are all still front and center, with pyro, flames and cryo effects hitting during some of the bigger moments.
It still feels like a Jon Pardi show first and a production spectacle second, which is probably the right balance. The effects give the biggest songs more punch without getting in the way of the live-band feel.
If you want to catch the full night, plan to be inside well before the first opener starts.
At the Fort Wayne show, doors opened at 5:30 p.m., Sadie Bass was scheduled for 7 p.m., Alexandra Kay for 7:50 p.m. and Pardi for 9:05 p.m.
Getting there around 6 to 6:15 p.m. should give you enough time to get through security, find your seat and grab food or merch without feeling rushed.
For outdoor venues, build in a little extra time for parking, rideshare traffic and the walk to the entrance.
A Jon Pardi show is not really a night for overpacking.
Make sure your mobile ticket is loaded before you get to the venue, keep your phone charged and bring an ID and whatever payment method your venue accepts. If you know you will be taking photos or checking your phone throughout the night, a portable charger is worth throwing in your bag too.
The louder live-band setup and added pyro also make earplugs a smart option, especially if you are close to the stage.
Beyond that, check your venue’s bag policy before you leave home. The rules can change quite a bit from one arena or amphitheater to the next.
You are not going to feel out of place in boots, denim or a cowboy hat at a Jon Pardi show.
The crowd tends to lean into the country look, but comfort matters more than dressing the part. You will probably spend a good chunk of the night standing, singing and moving around, so wear something you will still be comfortable in a few hours later.
If your show is outdoors, check the weather before heading out. A light layer can make a big difference once the sun goes down.
It can be, especially for younger country fans who already know Pardi’s biggest songs.
The main things to keep in mind are the late start and the volume. On standard tour nights, Pardi has been taking the stage around 9 p.m. and finishing close to 10:40 p.m., so it can turn into a long night for younger kids.
The show also includes loud live instrumentation, pyro and other effects, so ear protection is worth considering. Before you go, check the age rules and entry policies for your specific venue.
If the “Gamblin’ Man Tour” sounds like your kind of night, the next step is finding the right seat for it.
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Then all that is left is getting through the gates before the first song and settling in for a night of fiddle, steel guitar, pyro and a whole lot of “Head Over Boots.”
📁 Categories: Concerts
🏷️ Tags: Gamblin Man Tour, Alexandra Kay, Sadie Bass, Jon Pardi