
Welcome to SeatGeek Front Row, where we experience your favorite shows for the first time, so you can arrive prepared to have a night you’ll never forget. From finding the best seats to knowing when to arrive, we're here to help you make the most of every show. For this edition, NYC concert expert Annmarie Gajdos takes EYEKONS inside KATSEYE's Wildworld Tour, breaking down everything you need to know before stepping into their crazy world.
I attend a lot of concerts, but I don't think I've ever felt quite as intimidated by an audience as I did walking into KATSEYE's Wildworld Tour at UBS Arena on Oct. 25.
And the intimidating fans weren't rowdy adults. They were elementary-school-aged girls.
Everywhere I looked, there were young fans singing along to KATSEYE music videos, waving light sticks and waiting for their favorite members to appear. The enthusiasm was almost overwhelming, but there was also something genuinely cool about seeing an arena filled with young girls celebrating an all-woman group.
I'm 28, and while I enjoy KATSEYE's music, I wouldn't consider myself a die-hard EYEKON. I was curious whether a show with such a young audience would be enjoyable for someone outside the group's core demographic.
As it turns out, I had a great time.
The Wildworld Tour is built on elaborate dancing, individual solos, colorful staging and an enthusiastic audience. I couldn't help smiling and dancing along.
Here's what you should know before seeing KATSEYE on the Wildworld Tour.

There is no opening act on KATSEYE's Wildworld Tour.
Instead, music videos played on the arena screens as fans found their seats. By the time I arrived, the crowd was already singing along, and light sticks were scattered throughout the audience.
At UBS Arena, the concert was scheduled to begin at 8 p.m., although the opening visuals didn't appear until approximately 8:20 p.m.
A Wildworld Tour graphic briefly appeared on the main screen before transitioning into a cinematic introduction featuring the members on what looked like a secret mission. The video involved a mysterious button they weren't supposed to press, with the group seemingly breaking into a restricted area.
By approximately 8:22 p.m., KATSEYE appeared onstage and launched straight into "Hootie Frutti."
There wasn't a lengthy introduction or much time to settle in once the performance began. The crowd immediately started singing along, and confetti appeared during the opening song.
My advice is to be in your seat before the advertised start time. While KATSEYE came on roughly 20 minutes late at UBS Arena, that doesn't mean they'll do the same at every venue.
And if you want a picture of the Wildworld Tour graphic on the screen, take it immediately. It was displayed for less than a minute at the beginning and only briefly returned at the conclusion of the show.
Although KATSEYE started off as a six-member group, only four members performed at the October 25 show at UBS Arena: Daniela, Lara, Megan and Yoonchae.
Sophia and Manon were both absent as they continued taking time away from group activities to focus on their health and well-being. Manon has been on hiatus since February 2026, while Sophia stepped back in August ahead of the Wildworld Tour's European dates. Sophia is expected to resume group activities in January 2027 and will miss the North American leg of the Wildworld Tour
So how does KATSEYE's show work with four members?
The biggest difference is the choreography. KATSEYE is known for its synchronized dancing and intricate formations, many of which were originally designed for six performers. With four members for this show, the group has had to adjust its spacing, formations and partner choreography while redistributing vocal parts.

That's a significant challenge for a group whose performances rely so heavily on precision and teamwork.
But at UBS Arena, I was impressed by how naturally the four members worked together. The choreography remained one of the strongest parts of the concert, with backup dancers helping fill out the larger production numbers.
KATSEYE's setlist is packed with dance-heavy songs, with the group opening on the main stage before eventually moving between the main stage and B-stage.
The show began with "Hootie Frutti" and "Internet Girl," followed by an early stretch of upbeat performances that kept the crowd on its feet.
One of the first major highlights came during the "Gabriela" portion of the show.

Daniela selected a special guest to join her for a dance, presenting her with a rose before the two performed together. At the Oct. 25 show, that guest was Victoria's Secret model Yasmin Wijnaldum.
Daniela then performed her individual dance solo, which was easily one of my favorite moments of the night.
Her professional dance background really shines. The Latin-inspired choreography included splits, lifts and acrobatic movements with backup dancers, and she commanded the stage throughout the routine.
Megan and Yoonchae also had their own dance breaks later in the show, giving each member an opportunity to showcase her individual performance style.
Lara's solo was different. Rather than performing another elaborate dance routine, she sat at a piano to introduce "Unloveu," offering a more intimate moment amid the otherwise high-energy production.

"Animal" was another standout when it comes to audience reaction. The young fans around me were particularly enthusiastic during that number, singing and dancing along as loud as they could.
As the concert progressed, I noticed the members becoming increasingly playful with each other. The earlier performances felt more focused on tight choreography and individual stage presence, while the later songs showcased more of their chemistry and sisterhood.
There were moments when members paired off, joked around and interacted with each other in ways that made the show feel less rigidly choreographed.
After "M.I.A.," the group temporarily left the stage for a staged encore break.
The introductory storyline returned, this time with the members appearing to be arrested for different offenses. In the video, more restrained versions of themselves, dressed in business attire, seemed to judge their rebellious counterparts before the latter escaped.
Backup dancers appeared with flashlights, searching the stage as the storyline unfolded.
KATSEYE then returned in new Y2K-inspired outfits for the final stretch, which included "Debut," "ICONIC BY MISTAKE" and "Gnarly."
The finale brought back the group's attitude-heavy choreography, ending with an extended dance sequence, confetti and a more spontaneous celebration onstage.

At UBS Arena, the performance wrapped exactly at 10 p.m.
Opening section
Hootie Frutti
Internet Girl
That Way
Touch
Mean Girls
Daniela dance solo
Gabriela
PINKY UP
Megan dance solo
Middle section
Animal
Tonight I Might
I'm Pretty
Time Lapse
Gameboy
Unloveu
My Way
Bel Air
Yoonchae dance solo
M.I.A.
Final section
Debut
ICONIC BY MISTAKE
Gnarly
The Wildworld Tour stage is relatively straightforward in its overall layout, but the group makes good use of the space.
There's a large main stage with an elevated platform that rises and lowers throughout the performance, along with a B-stage extending into the floor.
The main stage has one large central screen, but no additional side screens.

That was one of the first things I noticed, particularly because KATSEYE's audience includes so many younger and shorter fans. Depending on where you're sitting, the lack of side screens could make it harder to follow certain moments.
The elevated platform helps with visibility, although the members don't remain on it for the entire concert. They frequently move down to the lower portion of the main stage, changing sightlines throughout the performance.
The production also features a sizable group of backup dancers, who complement the members during the more elaborate routines.
Costumes are coordinated, with metallic and silver elements appearing throughout the show. During one section, the dancers wore large, flowing, Latin-inspired skirts over their outfits, creating a striking visual effect as the members moved through the choreography.
The lighting is another strength.
Bright beams, colorful effects and lasers illuminate the stage throughout the night. Compared with concerts that rely heavily on smoke or dim atmospheric lighting, KATSEYE's show is particularly easy to photograph and film.
Even when the members weren't standing directly under spotlights, the lighting generally made them visible.
The performance also includes multiple outfit changes and prerecorded videos that connect different sections of the concert.
For the final portion, the members returned wearing playful, Y2K and Harajuku-inspired outfits with short skirts, layered fabrics and tulle details.
It's not an overwhelmingly elaborate stage production, but the choreography, lighting and costume changes give the show enough visual variety to remain engaging.
The B-stage is one of the best features of KATSEYE's Wildworld Tour, particularly for fans sitting farther from the main stage.
The members spend a meaningful amount of time performing there rather than using it for only one or two songs.
At UBS Arena, they began moving toward the B-stage around 8:50 p.m., and several major performance moments took place there throughout the night.
Daniela's "Gabriela" fan interaction and solo performance were among the highlights, while later songs brought the entire group closer to the middle of the arena.
The choreography also incorporates movement between the two stages, sometimes with members performing in pairs or smaller groups.
One particularly memorable moment came around 9:15 p.m., when the group earnestly addressed the audience before stepping down to interact with fans around the B-stage.
They asked everyone to remain respectful, patient and mindful of personal boundaries before approaching the crowd.
The members then spent time signing items, taking photos and interacting with fans while the show continued.
For a concert with such a passionate young fan base, it was a beautifully personal moment.
The B-stage also gives fans additional opportunities to see the members' expressions and personalities up close, rather than watching everything from a distance.
If you're choosing seats for the Wildworld Tour, I would definitely consider how close your section is to the B-stage rather than automatically prioritizing the main stage.

Beyond the performance itself, there are a few practical things worth knowing before attending, especially if you're bringing younger fans.
The biggest surprise for me was the audience.
KATSEYE's music certainly appeals to teenagers and adults, but the crowd at UBS Arena skewed noticeably younger than I expected. I saw mainly elementary-school-aged girls and preteens, many accompanied by parents.
There was something fun about the atmosphere. Even before the show started, fans were singing along to music videos and waving their light sticks.
I initially wondered whether the number of young children would affect my experience, but it really didn't.
A few children attempted to stand on their seats for a better view, although UBS Arena staff were quick to ask them to step down.
Overall, the audience was enthusiastic without being particularly disruptive.
If you're an older fan, I wouldn't let the younger crowd discourage you from attending. You can still have a drink, enjoy the choreography and have a fun night out.
And if you're bringing kids, it's worth thinking carefully about seating, visibility and transportation before the show. It will be very difficult for children to see if they are seated on the floor, unless they are in the front few rows at the main stage or the B-stage.
At UBS Arena, doors opened at 6:30 p.m., with the show scheduled for 8 p.m.
I arrived around doors opening and found the entry process surprisingly smooth.
There weren't unusually long security lines, and I moved through the entrance relatively quickly.
The venue enforced its standard bag-size restrictions, so check your specific arena's policy before arriving.
Since there is no opening act, I would recommend arriving early enough to find your seats, explore the merchandise and settle in before the scheduled start time.
KATSEYE didn't appear until approximately 8:22 p.m. at my show, but I wouldn't plan around that delay.
Once the group appears, the performance begins immediately.
If you're looking for outfit inspiration, think Y2K and playful K-pop-inspired fashion.
At UBS Arena, fans embraced nostalgic trends with star-shaped hair clips, colorful accessories and youthful styling.
There wasn't one specific dress code, and I didn't notice many people recreating exact music video outfits or dressing as individual members.
Instead, the crowd seemed to interpret KATSEYE's aesthetic in their own ways.
Baby tees, mini skirts, cargo pants, rhinestones, fun hair accessories and colorful pieces would all fit the atmosphere.
The group's own outfits also leaned into the Y2K aesthetic, particularly during the final portion of the show.
One thing I noticed was the relative lack of traditional fan posters.
There were a few signs scattered throughout the audience, but light sticks were much more prominent.
If you want to participate in the concert atmosphere, an official KATSEYE light stick is probably the most recognizable accessory you can bring.
Prepare for options. Lots of them.
KATSEYE had one of the most extensive merchandise setups I've seen at UBS Arena, a venue I attend frequently.
There were additional stands throughout the concourse and even an outdoor merchandise booth, something I rarely encounter there outside of particularly merchandise-heavy tours.
The collection itself felt very Y2K, with a mix of playful graphics, cozy basics, rhinestones, leopard print and accessories. Think Limited Too in the 2000s.

There were multiple tour T-shirts, including a rhinestoned design and another featuring handwritten-style lettering, hearts, eyes, lips and the members' names.
A ringer tee featured contrasting trim around the neckline and sleeves, with illustrated eyes representing the members on the back.
There were also layered-look shirts, tanks, sweatshirts, a matching gray leopard-print sweatsuit and a bomber jacket.
One detail that stood out was the sizing. Some merchandise was available as small as XXS, which isn't something I typically see at concert merchandise stands. Given the number of younger fans in attendance, the expanded sizing made sense.
Here are some of the prices displayed at UBS Arena:
Item | Price |
Tour T-shirts | $55 |
Ringer tee | $50 |
Tank top | $45 |
Wildworld Tour sweatshirt | $110 |
Gray leopard-print sweatsuit top | $90 |
Matching sweatpants | $80 |
Bomber jacket | $120 |
Fuzzy outerwear | $80 |
Ear-flap cap | $55 |
Tail keyring | $25 |
Official light stick | $69 |
AAA batteries | $2 |
There were also sticker sets, photo cards, blind box collectible charms, vinyl records and other small accessories. I couldn’t resist the Charm Sprouts blind boxes.
The official light sticks were especially popular. At $69, they're not inexpensive, but they were a major part of the concert atmosphere, with synchronized lighting throughout the show.

I also noticed instructions displayed around the venue explaining how to turn on and use the light sticks, which was helpful for fans unfamiliar with them.
KATSEYE even sold accessories that could be attached to the light sticks, including decorative ear pieces.
Yes, and this was one of the more unique merchandise options I noticed.
Screens around UBS Arena advertised the ability to order merchandise and have it shipped directly to your home.
That sounds convenient, especially if you don't want to carry a sweatshirt, jacket or multiple shirts around the arena.
However, there's a catch.
The Wildworld Tour's merchandise shipping website requires customers to be within 50 miles of the venue to complete a purchase, using location verification to confirm eligibility.
Orders also have to be placed during the designated purchasing window.
I discovered this when I tried accessing the store again after returning home and realized I could no longer complete the process.
I've seen other artists offer similar merchandise shipping services without requiring fans to remain near the venue, so this restriction stood out.
If you're interested in ordering merchandise for delivery, make sure to complete your purchase while you're still eligible.
The shipping website is available at https://tourmerch.shop/wildworldtour.
I sat in Floor 6, Row 8 at UBS Arena, with one floor section between me and the B-stage.
The location was excellent.
I'm short, so floor seating can sometimes be a gamble, particularly when everyone stands for the entire performance.
But I had a good view of both stages and didn't experience any major issues.
There were occasional moments when I had to stand on my tiptoes, particularly when the members performed on the lower portion of the main stage rather than the elevated platform.
Still, I was able to see the majority of the show comfortably.
The B-stage was particularly helpful because the members spent a significant amount of time there, bringing several performances much closer to my section.
For shorter fans or families with young children, I would consider elevated lower-bowl seats if you're concerned about visibility.
Some children on the floor attempted to stand on their seats, although UBS Arena staff were proactive about asking them to get down.
I didn't find it especially disruptive, but it's something parents should consider when choosing seats.
Another factor is the lack of side screens.
Because the stage has one large central screen rather than additional screens on either side, your viewing angle matters.
If possible, I would prioritize seats that offer a clear view of both the main stage and B-stage.
That said, I wouldn't rule out floor seats entirely, even for shorter fans. My experience from Floor 6 was overwhelmingly positive.
If you're attending a KATSEYE concert at UBS Arena, I would strongly recommend planning your transportation before the show.

Getting into the arena was easy. Leaving was another story.
I assumed that because the audience included so many young children and families, rideshare demand might be lower than usual.
I was completely wrong.
After the concert ended around 10 p.m., Uber demand was exceptionally high. I waited approximately an hour, hoping prices would decrease, but they remained elevated. Eventually, I gave up and took public transportation instead.
I've attended plenty of concerts at UBS Arena, and this was one of the longest post-show Uber waits I've experienced.
For UBS Arena specifically, I would recommend using public transportation or driving if that's practical for you, rather than relying on finding an affordable Uber immediately after the show.
The venue is served by the Long Island Rail Road at Elmont-UBS Arena, making rail transportation worth considering.
If you're driving, plan for parking and post-show traffic.
Of course, transportation will vary by venue, so this isn't necessarily something fans should expect at every stop on the Wildworld Tour.
But for Long Island shows, I would absolutely have an exit strategy before arriving.
I walked into UBS Arena liking KATSEYE's music but not considering myself a particularly devoted fan.
I also wasn't expecting to be surrounded by quite so many young children.
But once the show started, neither really mattered.
KATSEYE's greatest strength is their dancing. The bright lighting, individual solos, costume changes and B-stage performances keep things interesting.
What surprised me most was how much I enjoyed the atmosphere.

There was something genuinely special about watching an arena filled with young girls singing along, dancing and celebrating a group of female performers.
By the time KATSEYE finished "Gnarly" and the final confetti fell, I understood why the group's fans were so excited to be there.
You don't have to know every lyric or be the biggest EYEKON in the room to have a good time.
Sometimes, a concert doesn't need to reinvent live music. It just needs to be fun.
And KATSEYE delivers exactly that.
📁 Categories: Front Row, Concerts
🏷️ Tags: KATSEYE, WILDWORLD Tour, UBS Arena
Annmarie Gajdos is a New York City-based entertainment and travel journalist, on-camera host, and content creator covering music, pop culture, live events, and travel. Her work has appeared in Men’s Journal, Business Insider, Islands, and other outlets. You can follow her on Instagram at @annmariegajdos.